Theory and Practice of Spatial Planning | Number 12 | Year 2024 | ISSN 2350-3637
Ana Skobe:
Metamorphosis or Materiality of Architectural Photography
DOI 10.15292/IU-CG.2024.12.020-025 |
UDK 77.033:72 |
SUBMITTED: 8/2024 |
REVISED: 9/2024 |
PUBLISHED: 11/2024
Author's affiliation: University of Ljubljana, Faculty of Architecture, Slovenia
ABSTRACT
The incipience of this contribution is the exploration of the materiality of architectural photography through the central concept of metamorphosis, which Akos Moravanszky develops as a key concept of modern architecture in his work Metamorphism: material change in architecture. We will address this through two themes or questions: firstly, the question of architectural materialisation and secondly, the relationship between analogue and digital in photography. The aim is to redefine or expand the concept, to exhibit how the possibilities opened up by contemporary architectural photography in relation to the prob-lem of materiality allow us to see how the key aspect of modern architecture, namely metamorphism, man-ifests itself. This will be a kind of reinforcement of the thesis that architectural photography is a generative force for architecture.
KEYWORDS metamorphosis, architecture, photography, materiality, analogue, digital
LITERATURE AND SOURCES:
Badiou, A. (2008). The century. Polity.
Barber, K. (2019). Ansel Adams artist overview and analysis. The Art Story. https://www.theartstory.org/artist/adams-ansel/life-and-legacy/ Barthes, R. (2000). Camera lucida: reflections on photography. Vintage Books.
Berlot Pompe, U. (2021). Topologija virtualnosti in tehnoumetnost.Umetnost med prakso in teorijo: teoretski pogledi na umetnostno realnost na pragu tretjega tisočletja, 23-44. Založba Univerze. https://e-knjige.ff.uni-lj.si/znanstvena-zalozba/catalog/book/313 Berlot Pompe, U. (2022). Dematerializacija umetnosti in hipermaterialno. Robovi, stičišča in utopije prijateljstva: spregledane kulturne izmenjave v senci politike, 59-75. Inštitut za novejšo zgodovino; Akademija za likovno umetnost in oblikovanje. https://doi.org/10.51938/vpogledi.2022.25.9 Colomina, B., (1996). Privacy and publicity: Modern architecture as mass media. The MIT Press.
Fackler, K. (30. 9. 2019). Of stereoscopes and Instagram: materiality, affect, and the senses from analog to digital photography. Open Cultural Studies, 3(1), 519-530. https://doi.org/10.1515/culture-2019-0045 Frampton, K. (1993). Nasproti kritičnemu regionalizmu: šest točk v prid arhitekturi odpora. Arhitektov bilten,23(117/118), 86–91.
Moravánszky, Á. (2018). Metamorphism: material change in architecture. Birkhäuser.
Rancière, J. (2009). The emancipated spectator. Verso.
Rancière, J. (2013). Aisthesis: scenes from the aesthetic regime of art. Verso.
Rooney, C. (31. 5. 2017). The analogue revival: memory, nostalgia and error in contemporary film photography. Glossi Mag. https://glossimag.com/analogue-revival-memory-nostalgia-error-contemporary-film-photography/ Solá-Morales Rubió, I. (1997). Differences: topographies of contemporary architecture. The MIT Press.
Sontag, S. (1978). On photography. Penguin books.